Our Product Range
consists of Tools, which perfectly complement each other, no matter if it is analog, optical, mechanical or digital.
It fits into the filmmaking process from the picture aquisition with a
camera until the distribution in cinemas or on certain media in a way
that makes sense.
Our Premium Selection for you, whether hardware or software, defines
Digital Intemediate for you as a tool. A tool, that breaks borders for
creative freedom, while being highly affordable.
Shooting:
Use a 35mm camera or a HD Camera together with a P+S Technik Image
Convertor. P+S Technik provides you with mechanics and optics a
filmmaker really needs. They bridge the distance between the analog and
the digital world. The most innovative product range of Image
Convertors have highly been accepted by the professional market
worldwide.
Digitizing: Performance, Durability and Controlabilty are the premises of decks and players. While and after filmscanning or capturing from digital cams you need moste reliable machines. The company DVC (Digtal Video Computing) are specialized in this sector. Major Posthouses and Rental Houses use their products as 24/7 workhorses.
Manipulating:
The Pixelfarm, Chrome Imaging and IRIDAS. They all have something in common: realtime manipulation of high resolution data.
Whether you have to remove scratches from the scan or you want to
colorize the picture, Even the most complex special effects work in
online quality is possible.
Color Management
Arri
Arri CMS Color Management System
As an open designed system, ARRI uses the well established ICC
(International Color Consortium) standard for the Color Management. The
main idea of the ICC standard is to profile each device of the chain
separately. The profile is used to transform the colors into a common
color space, overlapping all possible color gamuts. The advantage of
this common space is that it reflects the color and luminance sensation
of the human eye as accurately as possible, different color gamuts can
be matched. ARRI offers the Color Management for the ARRILASER and also
works together with industry partners in the color grading field.
Kodak
Kodak Display Manager System
The KODAK Display Manager System is an easy-to-use way to display an
accurate simulation of projected print film on all supported display
devices throughout the postproduction workflow. It calibrates,
characterizes and transforms from print density to device-specific code
values-simulating the print film look, and assures that the look
displayed is within the true film print color space-a simulation of
projected print film.
Rising Sun Research
cineSpace
cineSpace is a colour management system for film. It solves the two
problems that face everyone working with film images. Firstly it
enables you to ensure that all your monitors match each other, and
secondly it enables you to match them all to a specific film stock, a
video standard like HD, or even a custom built profile.ial effects work
in online quality is possible.